How can a building make you smile?

Reimagining and redeveloping The Courts

Imagine a place where a young person’s background, race, beliefs, gender, physical ability and economic status had nothing to do with how good they could be, what they could achieve. A space where they could fully explore their creative potential, receive support and mentoring, and find meaningful work.

That place is the Old Bristol Magistrates Courts (The Courts). An enterprise centre to help young people set up their own creative businesses and develop their opportunities. A place where there are no barriers to their future, where the only things that count are their abilities and talents.

Thanks to the The National Lottery Heritage Fund and Bristol City Council we are developing detailed business and architectural plans to reimagine and redevelop this historic city landmark as a place that will complement Bristol’s renowned and growing creative industries sector.   

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The Problem with Creativity

The Creative Surplus 

UK creative industries are a true success story. They are growing at twice the rate of the UK economy, while employment in the sector grows at four times the rate of the national workforce. Creative industries form a key sector of UK industry, generating around £92 billion per annum and contributing more than 5% of the UK economy (DCMS, 2017).

Taken as a whole, the creative industries employ about 15,900 people in the Bristol and Bath area. The region’s creatives are estimated to be 50% more productive than the UK average and productivity in creative businesses across Bristol and Bath has increased by 106% since 1999.

The Creative Deficit

All those positive statistics mask stark reminders about how inequality and other disadvantages are stopping many very able young people from entering the creative industries.

White people hold 88% of the jobs and only 11% are occupied by BAME (Black, Asian and Minority Ethnic) people.

Men dominate the sector holding 63% of the jobs.

In the gaming industry, a creative field in which the UK excels, 86% of jobs are held by men, 96% by white people.

It is also significantly difficult if a young person comes from state education. Since 2010, there has been a 28% drop in the number of students taking creative GCSEs, with a corresponding drop in the number of specialist arts teachers.

Our Solution 

The Courts will throw open the doors to creativity through an open, enabling and supportive environment for those talented but disadvantaged or marginalised young people seeking to enter the creative industries.

Floor by floor plan


It is envisaged the basement level (the old cell block) will contain incubator space and enterprise workshops for young people. Our plan is to let this space on a short-term and quick-release basis for people looking to develop a business, or starting out as a young professional.

Ground floor

The ground floor currently has four courtrooms, one of which will be restored to its original condition and offered as a film, television and performance location. The remaining rooms will be developed into lettable spaces for multipurpose use. These will include space for Creative Youth Network services, for creative industries, youth participation work, performance, gallery exhibition and a bar/café.
A public entry will ensure everyone, regardless of their physical ability, can use the same entrance.

First, second & third floors

The first, second and third floors will provide 1,115m² of high-quality office space let commercially and accommodating around 110 workers. These tenant organisations will share our organisational values and ethos for the building.
A new lift will connect all four floors, again ensuring full access, while the old staircase will be retained as a heritage feature. We are also considering a green-roof across some of the open spaces covering the rooftop to complement the high-spec insulation, heating and cooling, and energy conservation measures planned to ensure The Courts has the lowest possible environmental impact.

How Deep Is Your Raj?

A conversation between our Creative Producer, Emily Bull, and our commissioned artist for the summer show at Creative Youth Network, Deepraj Singh. Read more

The Creative Youth Network Effect

Our marketing apprentice Coco, talks about her journey through Creative Youth Network and how she went from taking part in our Creative Careers fashion course to working with us full time. Read more

Village Basics

An insight into the journey Deepraj Singh has taken to become Creative Youth Network's commissioned artist of Rooted, by Katy Noakes, Independent Dance Practitioner Read more

Why the A in STEAM shouldn’t stand for Add-on

As another year’s GCSE’s draw to a close, our Creative Director rues the undervaluing of arts education. Read more

More than horrible histories: exploring stories from Bristol’s Old Magistrates Courts

As part of our bid to redevelop the old Magistrates Courts, social historians Rose Wallis and Laura Harrison, and UWE History students, have been working with the project’s youth steering group to explore the stories of the people who passed through the courts. Read more

How to create your own opportunities to get into the creative industries

Finding it difficult to pursue a creative career? Sarah, an emerging young artist from our Creative Futures programme, shares advice on making your own opportunities. Read more

The economic case for a diverse creative enterprise hub – Courting a win-win

How creating an inclusive creative enterprise hub in The Courts will bring not only social value to the region, but also create economic benefits for industry. Read more

Why equality of access is not the same as equity of access to the arts and creativity

The arts and creative industries remain unequal and severely lack diversity. There's minimal accessible and inclusive ways for young people from marginalised and diverse backgrounds to gain employment or engagement in the sector. We're exploring how to overcome these barriers. Read more

Why supporting our Chief Executive in his ambition to run for office is the civic thing to do

We are a year away from Bristol’s Mayoral election, and the next 12 months will see an increasing tempo to political life in the City. Read more

Why young people deserve better

The All Party Parliamentary Group released its review of youth work this week, highlighting a 62% cut to local services for young people since 2011. Sandy discusses the repercussions for our sector and for young people. Read more

How can we help?